Silver Medalist of Vocal Competition: The Most Important Thing is to Have a Grateful Heart

The 10th NTD International Chinese Vocal Competition concluded on August 31st, with American contestant Zheng Shaofeng winning the Silver Award. Zheng expressed his gratitude for the opportunity to showcase his talents and thanked all those who supported and helped him.

In an interview after the competition, Zheng reflected on the experience as a continuous journey of growth. Having won the Bronze Award in the previous competition, he felt that he could now enjoy the stage more and was less nervous than before. Standing on an international stage was a significant milestone for his personal development.

During the finals on the 31st, Zheng Shaofeng performed two pieces: the aria “It is enough” from Felix Mendelssohn’s “Elijah” and a Chinese song “The Orchid.” His performances received high praise from the audience, with “The Orchid” being hailed as a model for baritones.

Zheng expressed his satisfaction with the organization and arrangements of the competition, especially appreciating the opportunity to attend a master class hosted by renowned soprano Frederica von Stade. He described it as a valuable and rare opportunity to learn from a world-class musician.

Despite only having a short 15-minute guidance session with Frederica von Stade, Zheng gained confidence on stage and improved his musical expression. Von Stade emphasized the importance of injecting appropriate and sincere emotions into each lyric while singing.

Von Stade’s advice to uphold kindness and gratitude resonated deeply with Zheng, who believes these values are essential in one’s professional career and personal development. He emphasized the significance of approaching music with a grateful heart, as it helps alleviate performance anxiety naturally.

The NTD vocal competition requires contestants to sing Chinese art songs using orthodox bel canto technique. Zheng agreed with this requirement, stating that it serves as a platform to promote Eastern culture and make it more accessible to Western audiences when combined with Western vocal techniques.

He noted that bel canto is a universally accepted singing style, and the fusion of Chinese musical elements with Western skills could attract a broader audience and indirectly promote Chinese culture worldwide. Zheng Shaofeng’s journey in the competition showcased growth, gratitude, and a deep appreciation for the power of music in bridging cultural differences.