Competitors in Preliminary Contest: Hoping to Convey Beauty and Innocence Through Dance

A young contestant from Taiwan, Hsu Chih-han, expressed her thoughts on the significance of art that can calm the mind and allow self-reflection. She stated, “I hope to preserve and convey this beauty through dance.” On September 11, 2025, she participated in the preliminary round of the 11th NTD International Classical Chinese Dance Competition at the Sugar Loaf Performing Arts Center in Chester, New York, with her original dance drama “Sunrise”.

Currently studying in the Dance Department of the National Taiwan University of Arts, Hsu Chih-han stepped onto the NTD competition stage for the second time. Reflecting on her preparation process, she admitted to feeling frustrated initially during practice, struggling with certain technical movements. However, as the competition approached, she suddenly had a breakthrough and felt improvements in her performance. Despite some nervousness during her official performance and occasional instability in her movements, she believed that she had grown significantly overall.

Hsu Chih-han first started learning Chinese classical dance at the I-Shou International School of Arts in Taiwan. She envied her seniors’ graceful performances but encountered many obstacles of her own as she progressed in her dance journey. She emphasized that dance not only witnessed her growth but also taught her to remain calm and constantly strive for improvement in a fast-paced and tempting environment.

“In today’s society full of temptations and fast-paced rhythms, it is truly challenging to persist in learning a traditional art form. However, it is precisely because of this challenge that its value becomes more evident,” she shared. Dance training taught her composure and self-discipline, guiding her in remaining patient and composed through every technical aspect.

After years of practicing and observing dance, Hsu Chih-han’s understanding of Chinese classical dance deepened. She mentioned that the competition further enlightened her on the profound essence of Chinese classical dance, particularly focusing on the core technique of “hand with body, hip with leg” taught by Shen Yun’s artistic director, Mr. D.F.

“Seeing other contestants excel in this aspect with more focused power, synchronized movements and breath, their overall performance exuded a fluid and graceful beauty,” she commented. “When power is exerted, hands naturally find the longest and most graceful arcs.”

Regarding the qualities required to become an outstanding dance performer, Hsu Chih-han emphasized the mindset that art has no limits. “There is no perfect state in dance. As you grow, your standards will only get higher,” she opined. The ability to commit to practice for long durations and withstand pressure and loneliness are vital standards to measure a dancer’s professional integrity.

“It is difficult to persevere on this path without enduring the hardships and impatience,” remarked Hsu Chih-han. She highlighted the essence of showcasing the authentic beauty of traditional Chinese culture through the competition, emphasizing the need to preserve and pass on the profound and soul-nurturing essence of ancient traditions amid today’s tech-driven, fast-paced world where popular trends often overshadow these cultural treasures.

She concluded by expressing her hope that through dance, she can preserve and transmit this beauty and help people reconnect with their inner selves by immersing in the tranquility that true artistry brings.